Flying-Cam // Close Range Aerial Filming

All news

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CCTV, Chinese Central Television first SARAH delivery 10/15/2014
Official FAA Approval for Flying-cam 3.0 SARAH 10/02/2014
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Event: IBC 2013 04/03/2013
SARAH Latest News 04/02/2013
Event: NAB 2013 08/02/2012
Event: IBC2012 02/03/2012
SONY VITA flying with SARAH 02/01/2012
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the Totally New SARAH UNMANNED AERIAL SYSTEM
Special Aerial Response Automatic Helicopter 01/01/2011
Event: IBC 01/01/2011
Event: BROADCAST ASIA 11/02/2010
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Flying-Cam standing with purpose 10/31/2010
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A home shoot for Flying-Cam! 10/30/2010
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Flying-Cam in the gardens of the Elysee 12/07/2009
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Several Flying-Cam filming partners nominated and awarded 06/04/2009
The Good The Bad and The Weird:
Flying-Cam's Korean epic adventure 06/01/2009
The Message:
Flying-Cam's participation in the first Chinese war spy thriller 07/09/2008
Hancock:
Pilot in relay operation with the Flying-Cam in the urban canyon of LA downtown 04/13/2008
The Kite Runner:
Flying-Cam is heading east with Hollywood 04/10/2008
U Me Aur Hum:
The first Indian feature film with Flying-Cam 10/03/2007
Resident Evil Extinction:
Successful flight for Flying-Cam at 135 degrees Fahrenheit 03/14/2007
Curse of the Golden Flower:
The Premier Movie in China with Flying-Cam 06/09/2006
2006 FIFA World Cup 03/19/2006
First anniversary of Flying-Cam Asia 11/30/2005
Harry Potter and the Goblet of Fire:
A Flying-Cam was used to capture the dynamic of the dragon point of view at the Leavensden 05/01/2005
Flying-Cam on the Shanghai dock 04/01/2005
Shoot with 400 Children in Japan... Success! 03/16/2005
NOW IN ASIA! 01/10/2005
BAR Honda Formula 1 Season 2005 10/01/2004
Harry Potter 07/03/2004
NASA DART 05/15/2004
Van Helsing 01/15/2004
Flower by Kenzo 01/15/2003
Armee de Terre Francaise
French Ground Army

Harry Potter and the Goblet of Fire:
A Flying-Cam was used to capture the dynamic of the dragon point of view at the Leavensden

Production : Warner Bros
Country : UK

After two successful collaborations on the "Harry Potter and the Chamber of Secrets" and the "Harry Potter and the Prisoner of Azkaban", the 2nd Unit Director, Peter Mc Donald, requested for the third time the Flying-Cam technology to capture the dynamic of the dragon point of view in the arena especially built at the Leavensden Studios for the "Harry Potter and the Goblet of Fire".

The impressive arena was build in two separate parts; the rocks and the steps were placed side to side by the visual effects team. The Flying-Cam team provided Dragon POV's and back ground plates, flying over the scene when Harry Potter is fighting the dragon to catch the golden egg.

The arena set was large scaled but too narrow to use conventional aerial filming system. In order to perform the fight between Harry Potter and the dragon, one of the most thrilling event of the 4th chapter, Warner Brothers tried several systems such as a crane and wires. But finally the Flying-Cam was the only device able to give the organic feeling required for the dragon behaviour and to achieve the complex motion path of the dragon.

Framing a plate for moving 3D objects means to imagine the position of the CGI character and the action. It require a very mental framing. This was the first time the remote control helicopter of Flying-Cam had to play a Dragon. The set, a realistic 360 arena of rocks, helped a lot to feel the presence of the beast. The fly path of the dragon and the entire sequence was accurately designed trough an animatic with raugh 3D sequence. Jeff Burke, Special Effect Supervisor, directed the whole arena sequence. The use of a digital recorder in the Flying-Cam video assist allowed to immediately compare the takes with the animatic.

Additional takes were shot in Skye island - Scotland to give a more dramatic felling to the fight between HP and the Dragon.

Pictures
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